Well, SXSW is over.
We all survived.
We had a busy week with our film, Loves Her Gun. I won’t bore you with the details, but if you’re interested in reading reviews, awards etc. that the film received, check out our Facebook page.
Participating in the film portion of the festival spoils you. It’s contained and organized, no unofficial events surround it and you casually run into peers and friends within the Austin film community and beyond. It is always a pleasure and a treat to experience this part of the festival.
I could tell the second that SXSW Film and Interactive had ended and Music began when we tried driving out of our neighborhood. Living on the eastside now means you co-exist with official and unofficial music events. No longer do you have to live a couple of blocks east of downtown to experience this; you can live as far as a few miles away to feel the effect. The story I’m about to tell you I already shared on my Facebook (more…)
Amanda Farmer at Austin Freelance Writer was kind enough to share with me her fascinating infographic on SXSW Film 2013 stats.
It gives tremendous insight into the what films will be debuting at SXSW and how many were crowd funded (our film Loves Her Gun was partially funded by Indiegogo and USA Projects).
I also spy one of our film’s actresses, Heather Kafka, in the infographic!
Make sure to check out Amanda’s work here!
It’s one week before SXSW starts and one week and one day before the premiere of our film Loves Her Gun.
I’m nervous and I’m excited and hopeful and fearful.
What if no one likes the film?
What if during the film, the audience collectively rises in a wave of anger, throws vegetables or dead animals they had been hiding in their purses and pockets at the screen and tackle me into the theater seats to ensure my broken arms never write again?
Like George McFly to Marty when he sheepishly explains why he can’t ask Lorraine out, “I don’t know if I could take that kind of a rejection.”
This movie is my density.
I’m scared shitless!
I’ve never experienced anything like this.
Will you still love me even if my dangling broken limbs are covered in tomato juice?
Over the next week, I’ll probably be posting a significant amount about the film since it will be taking up a good chunk of my life.
It’s a tough industry and every share and retweet about our film (more…)
Have y’all heard of RSVPster, yet?
How could you not with their recent FREAKIN’ AWESOME Forbes interview and all.
This brilliant service created by one Austin woman, Jennifer Sinski, is revolutionizing the festival going experience.
So, we all know how insanely Godzilla-like SXSW has become, right? All the unofficial parties, shows, taco face-stuffing contests and free swag that is open to us is often hard to keep up with. Sinski, who was already the go-to party RSVPer for her friends, came up with the idea in 2011 to have a concierge service that does the SXSW RSVPing for you- all for a mere $40. Not only will RSVPster get you on the list of every open, unofficial party and event at the festival, they will also send you a full calendar of dates and time to update to your iCal or Google Cal.
In its first year, RSVPster proved to be popular and Sinski brought on business partner, Miles Dahmann. Word of mouth spread quickly and the site gained customers and press. Now in its (more…)
You guys remember that movie I told you about? The one I co-wrote and co-produced and some of you were gracious enough to donate to so we could finish our post-production?
Well, it will be premiering under the Narrative Spotlights at the South by Southwest Film Festival this year!
I can’t believe that this idea born out of my late-night, heavy-breathing “Oh my God I’m going to DIE!” panic attacks is now a full-fledged movie premiering at one of my favorite film festivals.
We are beyond the Thunderdome excited. Like, I’m going to go bleach and feather my hair and put a chain-link dress on and find Mel Gibson and say, “Two men enter, one man leaves” excited.
The film was written in the summer of 2011, but the subject matter- gun culture- is all the more prevalent today. We couldn’t have imagined that the always important topic would (sadly) heat up again.
Since we shot the film, our lead actress Trieste Kelly Dunn was offered a reoccurring role on Alan Ball’s new TV show (more…)