Indie being a code term for “hipster”. I already used up my one allotted use of the word “hipster” this week.
Many of these films aren’t even indies, but they are just quirky enough to earn a place in the hearts of millions of pretentious young people like myself.
So, in honor of Valentine’s Day and with a little help from my friend Levi, here are the top 8 best indie/alternative/hipster romantic movies for the death-obsessing, mixtape-making, Smiths-loving couples out there.
1.) Harold and Maude (1971)
Harold and Maude chronicles quite possibly one of the most unconventional, but beautiful relationships captured in contemporary film. Directed by a dude with one of the coolest old-man name’s, Hal Ashby (Shampoo, Being There), this ground-breaking film follows the May-December romance of the young and somber Harold and the Jurassic and vivacious Maude. Harold comes from a wealthy family and he’s bored with it all… and really into death. The 1970’s goth kid came in the garb of polyester suits and turtlenecks. Everyone is obviously too dumb for Mr. I Have a Better Comb Over Than Donald Trump, until he meets the quirky 79 year-old Maude at a funeral that neither one was invited to. The two start talking and discover that though they have nothing in common, they both can offer a lot intellectually to one another. Harold falls for the old broad and plans to marry her. They bone. Maude announces that 80 is the perfect age to die. They share one lovely night together and then…oh, I’ve said too much. Harold and Maude is a classic story that continues to resonate with new audiences due to it’s championing of atypical love and the idea of living life to the fullest. And watching old people gettin’ it on.
2.) Annie Hall (1977)
No movie captures the love of two completely f’ed up 30-something narcissists like Annie Hall. Woody Allen sure knows how to take completely unlikeable people in real life and make then adorably non-punchable in the movies. Alvy Singer (Allen) meets Annie Hall (Keaton) during a really awkward game of tennis where she whips out her ol’ reliable “la-di-da’s” to win over the affection of the Jewish midget. Though the relationship starts off sweet and romantic, we watch the realities of how two people can grow apart. Unlike Blue Valentine, which makes you want to rip your heart out and then eat it in hopes of saving some part of it, Annie Hall is bittersweet but optimistic in knowing that Allen will go on to bang a lot of dames totally outside his league. Annie Hall is the sort of movie that gives faith to self-centered people that they will indeed find someone just like them one day- and then lose them.
3.) Eternal Sunshine of the Spotless Mind (2004) (Levi)
Michel Gondry finally gave the twenty-somethings a gift they never thought they’d receive. A compelling, nuanced, serious performance from our generation’s Bill Murray, Mr. Jim Carrey. And before you cry foul, riddle me this, how many times have you quoted a line from Ace Ventura, or Dumb and Dumber…that’s what I thought. But Jim Carrey’s performance in Eternal Sunshine of the Spotless Mind showed us a real character with believable grievances. Kate Winslet began the road to perfecting her near-perfect acting technique, and who the hell doesn’t like Mark Ruffalo? It’s a great love story told from a completely new perspective by chronicling the decline of a relationship in reverse, so at the beginning of the film you see how a once-loving, quirky relationship reached its breaking point. As the movie progresses you arrive at the fairy-tale, carefree happy ending… which is really the beginning…like, whoa. (the young’uns can substitute “like, whoa” with “that’s so meta” if they so choose.) In the end, I don’t recommend it as a first date movie…or a middle date movie. Watch it if you’re alone, so you remember what it’s like to be happy by dwelling on the past. That’s healthy.
4.) Edward Scissorhands (1990)
If you were born in the 1980’s, then you love this movie. Like love love. And if you don’t, then there is something inherently wrong with you and you should be taken out behind the barn. Who thought that a love story could be so heart-breaking between a young girl with a terrible dye-job and whatever the hell Edward is. Like most fairy tales, the story of Edward Scissorhands is simple- weird robot dude with scissorhands is built by Vincent Price in a castle at the end of the street, Avon lady tries to sell robot dude some lipstick, realizes he’s pretty pathetic and brings him home, his Robert Smith-demeanor charms the pants off of the young daughter much to Anthony Michael Hall’s man-boob chagrin, robot dude makes some really awesome bush and ice art and wows the neighborhood, Bitch Tits tries to mess things up for robot dude, robot dude goes into hiding, the two get into a fight, Bitch Tits dies, robot dude has to stay in hiding forever at the castle at the end of the street while Bad Dye Job swirls to Oingo Boingo as an old lady. See? Like most classic fairy tales.
5.) High Fidelity (2000)
High Fidelity is the sort of book/movie you wish you made. Everything about this movie is perfect. From the pop culture references to the wisdom of break-ups to the realities of life, this movie gives me a huge bone-bone every time I watch it. Rob Gordon is a much like the 30-somethings in Annie HallAwww….real love. What makes this movie so special is that Rob has a top song list for everything that happens in his life. It also makes legions of young hipsters want to stay perpetual losers well into their 30’s.
6.) Waitress (2007)
When this movie came out, I stayed away from it for two reasons- 1.) It had Keri Russell in it, and considering I only knew her from Felicity, I assumed it was going to be stupid ass and 2.) I thought it was a chick flick and I try to not think of myself as a chick though I really love The Notebook. What made me check out the movie was the sad fact that the writer/director/co-star of the movie, Adrienne Shelly, was murdered before the film was released. I’m so glad I gave this movie a chance because it is one of my all-time faves. Waitress follows the story of Jenna (Russell), a sweet waitress trapped in an abusive marriage and dead-end town. She disappointingly discovers that she’s pregnant and she begins telling the unborn baby how much she hates it. Que doctor Malcolm Reynolds with his smoldering good looks and Jenna finds herself intrigued by the affection of someone other than her deadbeat husband. Romance ensues, a lot of pies are made, and Keri Russell charms the living pants off of everyone.
7.) Grosse Pointe Blank (1997) (Levi)
With an impeccable soundtrack by Joe Strummer, witty inside-banter-like dialogue and a relationship that’s too cool for school, Grosse Pointe Blank became a hipster cult hit before hipsters could grow facial hair. In the film, hitman Martin Blank (John Cusack) gets invited to his 10 year high school reunion and reluctantly attends when an obligatory killing contract brings him to his home town. Blank reignites his relationship with Debi Newberry (Minnie Driver) through a flurry of “what could have been” scenes, until ultimately, the only way Blank can win his love’s trust back is by killing a whole lotta guys to protect her father – the man he was sent to kill. If anything, watch it for one of the best uses of Queen/Bowie’s “Under Pressure.”
8.) Punch-Drunk Love (2002) (Levi)
Probably one of the most underrated love stories of the past 20 years. P.T. Anderson’s take on the socially awkward and pudding collecting character Barry Egan also fulfills the casting fantasy of actually liking a performance from Adam Sandler. In fact, I felt somehow robbed of faith in Hollywood when Sandler didn’t get a nomination for best actor. But like “The Big Lebowski” before it, “Punch Drunk Love” leaves you guessing at your feelings toward the film. Was that a comedy or was I supposed to be taking that seriously.? There are parts that make me shit my pants with laughter (a date turn-off, by the way). Like when Sandler’s character tracks down Dean Trumbell, the man responsible for roughing up his love, (expertly played by Phillip Seymour Hoffman) he’s still clutching the phone receiver and cord he tore from the wall in a fit of rage from the previous scene. And their confrontation? “I’d say that’s that, mattress man.” Classic movie line. Then there are parts where you’re witnessing ooey gooey love sequences with the marvelous Emily Watson, who loves Barry even though he’s one of the strangest men on earth. Definitely not for an uneducated couple, they wouldn’t understand the nuance – then they’d complain to their local Blockbuster for giving them an unfunny Adam Sandler movie. Highly recommended for a smart, attractive couple with a regular sex life, because if you both enjoy the greatness of this film, you should probably stick together.
-The Baxter (2005)
-Lars and the Real Girl (2007)
-So I Married an Axe Murderer (1993)
-Wild at Heart (1990)
-True Romance (1993)
-Moulin Rouge! (2001)
-Say Anything (1989)
-500 Days of Summer (2009)
What are your favorite indie romantic comedies/dramas?