Are you a fan of storytelling? Do you love The Moth?
Tomorrow night I’m hosting a storytelling event at LIVESTRONG HQ, and I’m super stoked about it.
I had been wanting to put together a night where cancer survivors and non-cancer survivors alike felt empowered to share their stories in front of a receptive audience. With the help of two of my teammates, that wish is now a reality.
The theme is “new kid on the block,” and our guest speakers have ten minutes to share their stories. I can guarantee the night will be filled with a lot of laughs and some tears.
If you’re free tomorrow, stop by 2201 E. 6th St., enjoy food and drinks on us and listen to some kick-butt storytellers.
The event is free and starts at 6:30PM.
Details below and here.
This week, I noticed a number of film acquaintances and friends sharing a New Yorker article calling the “rise” of the expectation of relatability in creative work a “failure” of society. The article’s author, Rebecca Mead, believes that by us viewers expecting relatability in whatever work we are observing, we are creating a “reductive experience” for ourselves.
The thesis begins with Mead chastising Ira Glass for tweeting “Shakespeare sucks” and bemoaning the classic author for his unrelatable story and characters in King Lear, and goes on to list several instances where critics have relied on the term when championing or lamenting creative work. Though I don’t disagree that that was a poor choice in wording from a man very much respected in the world of storytelling, I find that Mead gives a very narrow definition of the word “relatable” and misses out on the necessity of an empathetic core.
She cites critic Virginia Heffernan’s 2004 comment that relatability is a “weird daytime (more…)